EarphonesMid PriceReview

Simgot EM2 Review I – Refined and Revealing


You find a series of photos of the Simgot EM2 on our blog HERE. And since we don’t do half things, another review of the Simgot EM2 by Jürgen is HERE.


Simgot EM2—new (single Knowles BA/DD)  hybrid from Simgot, whose single dynamic EN700 Bass is still one of the best-tuned $100 phones I’ve heard. Packaging and accessories are lavish (silver cable, great leather case); the unboxing experience is orgasmic. Build is solid, although I prefer the metal aesthetic of the Simgot EN700 to the less elegant-looking acrylics of the Simgot EM2. Sleek, tear-shaped shells provide for excellent fit and comfort; for some reason these isolated well outdoors and less well in the gym. Very efficient and easily driven with a mobile; however these also scale well with more powerful sources, which deepens subbass impact.

I hear these as mildly U-shaped, with a neutral to slightly bright tonality and moderately crisp note texture. Soundstage is very holographic, with more width than height, and layering and imaging is pinpoint. With the “bass” eartips (and esp. with foams), subbass extends quite low and, in contrast to the EN700, the EM2 has impeccable bass control and speed, although midbass is fairly flat and modest in quantity; these lack the seismic slam and physicality of, say, the Ibasso IT01 and are not optimal for EDM or technoid genres. (Note that the included “treble” tips do, as advertised, markedly attenuate high end, but render these overdamped/ bass shy and somewhat unbalanced; in general the Simgot EM2 are extremely tip-sensitive). Mids are slightly recessed but very revealing; voices have very good clarity and audibility despite sounding slightly far back from the center stage. High end is well extended, with a nice sibilant-free sheen and sparkle and are also very detailed; I heard new subtleties on familiar recordings and these sort out complex orchestral passages very, very capably. Driver coherence is flawless; the EM2 lack the sizzly, overbusy character of many of the new breed of cheap multidriver Chifis. They are, however, ruthlessly revealing of bad recordings.

Compared to the EN700, the EM2 are more analytical and “audiophile tuned”–more revealing, with a rounder stage and tighter (if less voluminous) bass; next to players like the Tehnz P4 or even the Moondrop Kanas the EM2 sounds less smoothed-over and more accurate. That said, I won’t say the EM2 are clearly better than the EN700 or the Moondrop Kanas, which sound “tubier” and beefier than the EM2, although the EM2 are the better choice for critical listening, esp. with less bass-heavy fare. Very fairly priced at $115. 


SPECIFICATIONS

Transducer: 10 mm high magnetic compound dynamic driver & Knowles balanced armature RAF-32873
Polymer compound titanium-plated diaphragm N50 strong magnetic circuit, Acoustic hanging system, Brass stabilizing rings
Frequency Response: 15 Hz – 40 kHz
Sensitivity:  ≥101dB(at 1000Hz)
Impedance: 15Ω
Distortion: <1% 101dB(20μpa)
Channel Imbalance: <1.5dB(at 1000Hz)
Rated Power: 10 mW
Cable: 4 cores of SPC braided cable
Simgot Amazon Store: LINK


DISCLAIMER

I got the EM2 unsolicited and free from Simgot; I bought the other IEMs mentioned above.

Our generic standard disclaimer

Simgot
Simgot EM2 frequency responses with included tips: narrow-bore (red) and wide-bore (blue).

Author

  • Loomis T. Johnson (Chicago, USA)

    Head-Fier since 2014. Based in Chicago, Loomis T. Johnson is a practicing attorney, failed musician, and lifelong music fanatic and record collector. He has frequently contributed to such review sites as Headfi, Sound Advocate, and Asian Provocative Ear (as well as many other far less interesting non-musical periodicals). A former two-channel and vintage gear obsessive, he has sheepishly succumbed to current trends in home theater and portable audio. He’s a firm believer that the equipment should serve the music and that good sound is attainable at any budget level.

Loomis T. Johnson (Chicago, USA)

Head-Fier since 2014. Based in Chicago, Loomis T. Johnson is a practicing attorney, failed musician, and lifelong music fanatic and record collector. He has frequently contributed to such review sites as Headfi, Sound Advocate, and Asian Provocative Ear (as well as many other far less interesting non-musical periodicals). A former two-channel and vintage gear obsessive, he has sheepishly succumbed to current trends in home theater and portable audio. He’s a firm believer that the equipment should serve the music and that good sound is attainable at any budget level.

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