2BluetoothBudgetEarphonesReview

Muzen Trickle Clip-On Earbuds REVIEW (2) – Same As It Ever Was

The MUZEN Clip-On earbuds were sent for review purposes by https://muzenaudio.com/ We appreciate their patronage and courtesy.

I just finished watching the Netflix documentary of the Oklahoma City bombing, and as demented as he was, you gotta credit Timothy McVeigh for at least having the courage of his convictions—even when strapped in the electric chair he never expressed the slightest doubt or remorse about his actions. In contrast, our reigning Psychopath-in-Chief folded on his stupid tariffs approximately five minutes after proclaiming that would never back down. God Bless America.

Anyway, I was mildly stoked to receive the Muzen Trickle, which utilizes the same featherweight earring-style design as our beloved Tozo Open Earring (two reviews here) and Soundpeats PearlClip (two reviews here), but sport shiny metal earpieces which give them a more upscale look. Comfort, as expected, is outstanding and connectivity and call quality are just fine. There’s no app or EQ, which is a conspicuous omission at the $75 SRP, and battery life of 6hrs. is only fair.

Unfortunately, the Trickle epitomize the traditional weaknesses of open earbuds—lack of bass presence and muted dynamics. Volume, at least when pushed to the max, is good and technicalities are actually quite good on these—stereo spread and instrument placement is accurate, there’s no congestion between frequencies and high end resolution is noteworthy for an open-ear. Drums and cymbals have nice snap and transients are quick. However, compared to the aforesaid (and substantially cheaper) Tozo and Soundpeats they sound overbright, artificially lean and lacking in thump and presence, while the comparably-priced Baseus Eli, are louder, bassier, fuller-sounding and far closer to a traditional on-ear experience.

Also check Jürgen’s take on the Muzen Trickle.


Jürgen does advise that pairing the Trickle with a DAP with Hiby player software makes the Trickle sound fuller and less bright, but like most folks I’d be using them without such enhancements.  I do note that FWIW Amazon is replete with rave reviews for these, though substantially all of the reviewers got a free review sample. I also got  a free review sample but I gotta call it like I see it—there’s some potential here, but the current Trickle needs a bigger motor and an app. I take no joy in dissing these, but their (tariff-distorted?) $75 ask is simply unrealistic and Muzen would be well-served to bring these back to the lab.

Specifications Muzen Trickle

Driver16.5 mm dynamic
Frequency Response20 – 20,000 Hz
Impedance32 Ω
Speaker Power16 mW
Bluetooth Version5.4
Supported Bluetooth ProfilesA2DP/AVRCP/GAVDP/HFP/SPP
Supported Bluetooth CodecsA2DP/AVDTP/AVRCP/RFCOMM/HFP/HSP/SPP/HID
Mutipoint ConnectionNA
Battery CapacityEarbuds: 40 mAh*2; Charging Case: 300 mAh
Total Music Play Time6 H Playtime | 38H with Charging Case
Charge TimeEarbuds: 0.53 h (Supporting Quick Charge)
Charging Case: 1.77 h
Charging Input5 V/0.1 A (Earbuds), 5 V/0.5 A (Charging Case)
Charging PortUSB-C
Total Standby Time80 h (with Charging Case)
Noise ReductionProprietary algorithm (phone calls only)
Auto-Turn Off Function When Disconnected3 min
Game ModeYes
Water ResistanceIPX5
Net WeightSingle Earbud: 6.1g
Earbuds+Charging Case: 47.34g
OtherAutomatic Left/Right Channel Adaptation with Charging Case
Tested at$75 USD
Purchase Link USAamazon.com
Amazon 20% off Promo CodeAREVIEWS
The specs have lots of holes.

 

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Author

  • Loomis

    Head-Fier since 2014. Based in Chicago, Loomis T. Johnson is a practicing attorney, failed musician, and lifelong music fanatic and record collector. He has frequently contributed to such review sites as Headfi, Sound Advocate, and Asian Provocative Ear (as well as many other far less interesting non-musical periodicals). A former two-channel and vintage gear obsessive, he has sheepishly succumbed to current trends in home theater and portable audio. He’s a firm believer that the equipment should serve the music and that good sound is attainable at any budget level.

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Loomis T. Johnson (Chicago, USA)

Head-Fier since 2014. Based in Chicago, Loomis T. Johnson is a practicing attorney, failed musician, and lifelong music fanatic and record collector. He has frequently contributed to such review sites as Headfi, Sound Advocate, and Asian Provocative Ear (as well as many other far less interesting non-musical periodicals). A former two-channel and vintage gear obsessive, he has sheepishly succumbed to current trends in home theater and portable audio. He’s a firm believer that the equipment should serve the music and that good sound is attainable at any budget level.

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